S4. DOC 2, The Catcher in the Rye, J. D. Salinger, 1951
S4. DOC 1 bis, Myra told by David Bowie - Marcus Harvey
- Was it cruel to make such a painting?
- How might the victims’ families react?
- Does the size of the painting somehow elevate the subject
- Should those who commit atrocities be memorialised in works of art or the media?
- Is Harvey saying something about Myra herself or about Myra’s unavoidable image?
- Reproduced countless times in prints and on television, why is she so fascinating?
Marcus Harvey's portrait of Myra Hindley was one of the most controversial artworks of the 90s. Twelve years on, he's set to cause another furore. 'Just don't say I've done Thatcher with dildos,' he begs Simon Hattenstone
S4. DOC 1, Myra, Marcus Harvey, 1995. (2,70 x 3,40 m)
S3. DOC 3, A case of the biter bit... Banksy's Girl with a balloon
